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The Coppa Camuna stems from the designer’s fascination with the age-old tradi...
The Coppa Camuna stems from the designer’s fascination with the age-old tradition of ironworking rooted in the Valle Camonica, located in the Central Alps between the provinces of Brescia and Bergamo. In Bienno, the ‘village of a thousand forges’, where this archaic craftsman’s knowledge is preserved, Iacchetti found those who could help him develop the project for an iron container. Thus was born a dialogue between the designer and the craftsmen of Bienno, a joint journey that gradually led from an initial design to an initial shape and from this – in a sort of evolution of the species – to the final artefact.
The Coppa Camuna has an apparently brutalist form that recalls that of a war helmet but
turned upside down towards the sky, transformed into a container ready to hold a flower
or to become an instrument of offering. An extraordinary subversion of meaning, in other
words, that converts a symbol of war into an artefact of offering. The production process
in turn contains a passage of meaning, from strength to offering: the iron, turned with
powerful energy and then passed through fire for the final treatment with wax, becomes
a poetic object to contain, as its designer says, “the things of life”.
Specifications
Centrepiece. Turned carbon steel sheet with beeswax coating. Limited series of 999 numbered pieces.
- Code: ITM24
- Diameter (inch): 9.06″
- Height (inch): 4.33″
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Exploring origins to build the future Il Tornitore Matto is the brainchild of Alberto Alessi. Developed in collaboration with Giulio Iacchetti, it is the start of a new experimental design brand. Rooted in the manufacturing origins of the Alessi company, the initiative is an offshoot, a collection of objects that meld design, industry and craftwork. The stimuli behind this enterprise are many, but two of them stand out. One is the decorative arts movement Wiener Werkstätte, whose approach has been a constant reference for Alberto Alessi throughout the years. Founded in 1903, the “Viennese Workshop” involved many of the most talented artists of that period. Working side by side with craftspeople, they created exquisitely refined artifacts. The second main stimulus behind Il Tornitore Matto is Alice in Wonderland, a world where rules are wacky. This connects to the project’s freedom from the typical limits of industrial production to give free rein to human creativity. Nine designers including Iacchetti participated in this first chapter of the manufacturing adventure whose aim is poetic techne. Each piece of the collection is marked with the production year and a sequential number.